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The Fly by Olly Williams

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This short film by Olly Williams lasts about 6 minutes and focuses largely on the main protagonist who is a getaway driver, awaiting the completion of a bank robbery. This intense idea is easily turned comedic with the use of an annoying fly. This film heavily relies on the acting of the lead actor, Jack Doolan, however, more physically than verbally. The lack of speech highlights Williams impressive cinematography as so much is conveyed through this medium as well as many other micro elements of film such as the performance and the editing. Editing: The average shot length is very short and the jump cuts between shots creates a snappy, more intense atmosphere. This editing style has been used advantageously to set the scene quickly. Within the first 11 seconds we know someone is waiting in a car, outside a bank, after just having heard loaded guns and the setting off of a group who "have 3 minutes" - the plot is immediately clear: When the getaway driver cause...
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The Ellington Kid by Dan Sully

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The Ellington Kid by Dan Sully is a 5 minute short film about the current issue of knife crime in London. Although this is a dark topic, the narrators, who sit in the very kebab shop of the knife crime, bring a sense of comedy to the plot. The film is made up of a series of flashbacks to the stabbing, whilst Nathan portrays this to Beefy, who is freaked out by the story and questions it truth, all the while they trivially eat their meal. Eye level, symmetrical shot. Establishes the pairs' role together as a narrative. Natural daylight distinguishing the time difference between the flashbacks and the present day. Mise-en-scene of kebab shop in focus and clear to audience to create a somewhat relatable, realistic aesthetic. Depth of field - to reveal all that is in front of the lens; the worker and the emergent situation of the victim. Highlights the shock of worker as he stands still, away from the guy who has been stabbed. Colder lighting that that of the warm scen...
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Slap by Nick Rowland

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SLAP by Nick Rowland is a 25 minute short film focusing on the topic of gender-complexities within a stereotypically masculine character. This BAFTA nominated film shows the audience the struggles of a young male-boxer as he hides his most comfortable identity from his friends and family. This is until he decides to reveal this side of him in unexpected turn of events at a fancy dress party. The film showcases a very British style with very British surroundings and culture, the personality and lifestyle of the characters is also somewhat relatable. The issue in focus of this film is very current and through watching this, one can gain a lot of perspective on real challenges that people like Connor face. However, as noted by Rowland himself; this film is not so much about sexuality but more about expression and removing labels and categories. For example, when Archie labels Connor as gay, he is mistaken; just as many people are in reality. In this shot, we see Connor's sec...
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